City of God
Rocket grows up in a Rio housing project between the gangs that run it and the camera he would rather be holding. His account covers two decades, from the 1960s hoods who robbed gas trucks to the children who took over the drug trade and the war between them. The only exit is to be the one taking the picture.
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Attributes
Archetype (Jung / Campbell)
Plot structure
Symbol / motif
Conflict
Culture / tradition
Closest analogues
- 52% · 13 shared
- 49% · 11 shared
- 48% · 10 shared
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- 45% · 9 shared
- 44% · 10 shared